Italian Baroque Era Painter, 1604-1670 Italian painter. He arrived in Naples about 1634, having almost certainly trained in Rome. He was a specialist in the realistic architectural VEDUTA, and his interest in this theme may have been stimulated in Rome by the quadratura frescoes of Agostino Tassi and by the urban views of Claude Lorrain and Herman van Swanevelt.   Related Paintings of CODAZZI, Viviano :. | Arcitectural View with Two Arches | Architectural View wtih an Inn | St Peter's, Rome | Architectural View f | St Peter s Rome |
Related Artists:
Louis Jean Francois Lagrenee
(December 30, 1724 - June 19, 1805) was a French painter, a pupil of Carlo Vanloo. His younger brother Jean-Jacques Lagren??e was also a painter. Lagrenee was born in Paris. In 1755 he became a member of the Royal Academy, presenting as his diploma picture the Rape of Deianira (Louvre). He visited Saint Petersburg at the call of the empress Elizabeth, and on his return was named in 1781 director of the French Academy in Rome, a position he kept until 1787. He there painted the Indian Widow, one of his best-known works. In 1804 Napoleon conferred on him the cross of the l??gion d'honneur, and on June 19, 1805 he died in the Louvre, of which he was honorary keeper.
Evaristo Baschenis
1617-1677 Italian Evaristo Baschenis Galleries Italian painter. He came from a family of painters originally from Averara, Lombardy, but with different branches active in the provinces of Bergamo and Trentino, mostly specializing in fresco decoration of churches. He probably started working within the same regional tradition but soon came to specialize in still-lifes and moved beyond his familys limited and provincial style to create a richer and more complex art.
LASTMAN, Pieter Pietersz.
Dutch Baroque Era Painter, ca.1583-1633 Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam.